Welcome

elcome to the Digital Meltd0wn Music Blog. The aim of this blog is to introduce the readers to music that is out of print, commercially unavailable, released under a creative commons license, or with approval by the featured artist. The majority of the music posted here would be considered underground. Don't let that fool you into thinking that the music featured here might be any less enjoyable than that of the mainstream artists you hear on the radio, as this couldn't be further from the truth. Please keep in mind that the majority of the artists that appear on this blog, along with their respective record labels, are not wealthy and need your support. If you enjoy the material that you find here, please support the artists/labels by purchasing their material afterwards. If you are an artist/label that would prefer to have your material removed from this blog, simply leave me a comment, and I would be more than happy to promptly remove the offending post. In addition to running this blog, I also work on a few other projects during my spare time. You can find links to those, as well as a few other important links associated with Digital Meltd0wn in the menu bar above.

Sunday, September 09, 2007

Rockabilly Psychosis and the Garage Disease


Everybody's heard about the bird" - so say The Trashmen and a fitting opener for 16 of the most deranged tracks that you can find. One of the best selling Big Beat releases finally hits CD after a world wide search for tape copies of some of these tributes to the sheer insanity of rock & roll. The Sonics "Psycho", The Novas - "The Crusher", Legendary Stardust Cowboy - "Paralysed" - the titles say it all. The original album has lost one track but gained the legendary and rare even-on-vinyl Ralph Nielson & The Chancellors - "The Scream", Link Wray chewing the blues and spitting out Willie Dixon's "Hidden Charms" and the Milkshakes taking on the aforementioned Link Wray on "Run Chicken Run". Apart from that you still get The Cramps with Jimmy Dickinson ripping up Sonny Burgess's "Red Headed Woman", Britain's psychobilly kings The Meteors with a live "My Daddy Is A Vampire" and "Radioactive Kid" along with the late great Gun Club, Tav Falco's Panther Burns with their finest destructobilly and two other bands of this parish the Sting-Rays and The Guana Batz.
(Year of Release: 1984)

Track List:
1. Surfin' Bird - The Trashmen
2. Psycho - The Sonics
3. Crusher, The - The Novas
4. Scream! - Ralph Nielsen & The Chancellors
5. Paralyzed - Legendary Stardust Cowboy
6. She Said - Hasil Adkins
7. Hidden Charms - Link Wray (bonus track)
8. My Daddy Is A Vampire - The Meteors
9. Red Headed Woman - Jimmy Dickinson & The Cramps
10. Run Chicken Run - The Milkshakes
11. Radioactive Kid - The Meteors
12. Dateless Night - Tav Falco & The Panther Burns
13. Jack On Fire - Gun Club
14. Folsom Prison Blues - The Geezers
15. Cat Man - The Sting-Rays
16. Just Love Me - The Guana Batz

Download: Rockabilly Psychosis and the Garage Disease (54.1MB)

Thursday, July 26, 2007

Green River - Come On Down & Dry As A Bone/Rehab Doll

Green River were arguably the first grunge band, forming around the same time as the rest of Seattle's first wave (the Melvins, Soundgarden, and Malfunkshun). In 1985, they became the first grunge band to release a record, kickstarting the Seattle music scene and later helping to establish the Sub Pop label. However, Green River are even more famous for the bands that sprang from their breakup: Mudhoney and Mother Love Bone, the latter of which also contained the roots of Pearl Jam. That lineage somewhat overshadows Green River's actual music, which helped lay out the blueprint for grunge but didn't necessarily rank among its most transcendent expressions. Green River specialized in a dirty, sludgy, gleefully ugly hybrid of punk, heavy metal, and bluesy hard rock, drawing from bands like the Stooges in addition to the hardcore punk outfits where many of the members first cut their teeth. Its appeal tends to depend upon the depth of the listener's interest in grunge, but regardless, the seeds of a revolution are certainly audible. Green River were formed in Seattle in 1984. In 1985 they started playing local clubs and they recorded two tracks for the compilation album Deep Six, the inaugural release on local indie C/Z Records. Later in 1985, Green River went to New York to record their debut EP, Come On Down, for the Homestead label. In the summer of 1986, the group recorded another EP, Dry as a Bone, in Seattle with producer Jack Endino; it was issued by Bruce Pavitt's fledgling Sub Pop label in July 1987. Green River subsequently began work on an eight-song mini-album for Sub Pop, which was released in early 1988 under the title Rehab Doll. By the time it appeared, though, intra-band tensions were tearing Green River apart. Not long after Rehab Doll appeared, Green River officially disbanded. Arm reunited with Turner to form the punkier Mudhoney, while Gossard, Ament, and Fairweather joined up with ex-Malfunkshun singer Andrew Wood in the glammier Mother Love Bone. Following Wood's death from a heroin overdose, Gossard and Ament moved on to found the hugely successful Pearl Jam with vocalist Eddie Vedder.

Come On Down


Track List:
1. Come On Down
2. New God
3. Swallow My Pride
4. Ride Of Your Life
5. Corner of My Eye
6. Tunnel Of Love

Download: Green River - Come On Down (32.2MB)

Dry As A Bone/Rehab Doll


Track List:
1. This Town
2. P.C.C.
3. Ozzie
4. Unwind
5. Baby Takes
6. Searchin'
7. Ain't Nothing To Do
8. Queen Bitch
9. Forever Means
10. Rehab Doll
11. Swallow My Pride
12. Together We'll Never
13. Smiling And Dyin'
14. Porkfist
15. Take A Dive
16. One More Stitch

Download: Green River - Dry As A Bone/Rehab Doll (64.15MB)

Moving Sidewalks - Flash


The sole album by the Moving Sidewalks is as fascinating as it is unremarkable. As the birthing ground for legendary blues-rock guitarist Billy Gibbons, one would expect at least a taste of what would later make ZZ Top one of the best touring and recording bands on the planet; sadly, the album offers little in the way of revelation in its 15 tracks. Admittedly, at the time of ZZ Top's 1970 debut, Gibbons' transformation from a journeyman bandleader into a boogie-blues demigod was still not fully realized, but his chops were miles away from what is heard here. Part of that lies in the fact that ZZ Top was less about psychedelia than straight blues; whatever psychedelic touches made their way onto the studio albums were largely an accessory. (They would eventually fully integrate on 1979's Deguello.) The Moving Sidewalks, on the other hand, were psychedelic rockers whose songs hinted at the blues without fully diving in. The songs show little of Gibbons' future promise, and in fact are so thoroughly mediocre (both in writing and playing) that it's amazing to think he was only a few years away from international success. "Pluto-Sept. 31st" shows a clear Hendrix influence (the two guitarists openly admired each other), and as a bonus, Akarma's reissue includes five bonus singles that are some of the strongest material on the album, especially "Need Me," "I Want to Hold Your Hand," and the legendary single "99th Floor."

Track List:
1. Flashback
2. Scoun da Be
3. You Make Me Shake
4. You Don't Know the Life
5. Pluto-Sept. 31st.
6. No Good to Cry
7. Crimson Witch
8. Joe Blues
9. Eclipse
10. Reclipse
11. 99th Floor
12. What Are You Doing to Do
13. I Want to Hold Your Hand
14. Need Me
15. Every Night a New Surpise

Download: Moving Sidewalks - Flash (50.7MB)

Sunday, July 22, 2007

Buckethead - Acoustic Shards


Acoustic Shards is an album by Buckethead, which consists of acoustic recordings culled from tapes that were reportedly recorded in 1991. This is largely considered his 20th album release, but more of a specialty album than his latest efforts

The album was released on May 31 by Jas Obrecht, through his label Avabella, who also released the Young Buckethead DVDs.[2]

According to Jas Obrecht:
“ Imagine, if you will, that Buckethead walked into a quiet living room, picked up an acoustic guitar, and began improvising one amazing composition after the next -- that's what happened when we recorded "Acoustic Shards" back in 1991. (It was taped a couple of weeks after the final Deli Creeps concert on the Young Buckethead DVDs, but is quite different musically.) It is a single-CD, 52:30 minutes in length, 15 tracks. Included are very early versions of "For Mom" and "Who Me?" as well as a lot of stuff you've never heard before. The playing is spectacular -- some of it sounds like Django Reinhardt meets Ornette Coleman meets young EVH meets... well, that which is uniquely and lovably Buckethead. Some passages are so advanced you'd swear it's two guitarists -- but it was all recorded in real time and without overdubs -- while other parts are just melodically beautiful beyond words. So far, everyone who's heard it has said it's the kind of music that resonates in you long after the stereo's been turned off.
(Year of Release: 2007)

Track List:
1. For Mom [Early Version]
2. Little Gracie
3. Who Me? [Early Version]
4. Ed's Rhapsody/Midnight Dance/Jars
5. Ganryu Island/Saskia's Gone
6. Ghosts Upstairs
7. Spirals
8. Cubes, Chunks & Crumbles
9. Thugs
10. Dinging/Ah-Ji-Jee
11. Johnny
12. Stay out of the Shed
13. Serape
14. Longing
15. Box Elders

Download: Buckethead - Acoustic Shards (67.4MB)

Thursday, July 19, 2007

Local Artist Spotlight - The Luminaries


The Luminaries - You're So Cold


I've decided to add a new element to Digital Meltd0wn. I will be focusing on local musicians from the Northeast Tennessee/Western Virginia area that I live in, as well as artists that you all submit to me. Eventually I would like to expand on this idea, and perhaps pursue a blog devoted entirely to that concept. Of course my main focus would remain on the blog in front of you. The goal of this project is to garner some recognition for the countless number of bands who often remain unheard of because the effort they put into creating music is one of artistic expression rather than the commercial pursuit of money.

For now the spotlight will be a monthly endeavor. This month the spotlight is on The Luminaries, a local band from the Western Virginia area where I currently live, consisting of William Van Huss (Vocals, Guitar), Wayne "Brainz" Thomas (Vocals, Guitar), and Jack Costello (Drums). Their music is a bit different from the norm that you see on this blog, but I'm sure some of you will still find it enjoyable all the same. I posted their EP "You're So Cold" last week. Yesterday they released a video for the title track of the song, which I think turned out rather well.

Download: The Luminaries - You're So Cold EP (23.5MB)
Blog: http://theluminaries.blogspot.com
last.fm: http://www.last.fm/music/The+Luminaries
MySpace: http://www.myspace.com/waynebrainz

Captain Beyond - Captain Beyond


Captain Beyond was an American rock band formed in Los Angeles, California in 1972. Its members were singer Rod Evans, guitarist Larry "Rhino" Reinhardt, bassist Lee Dorman, and drummer Bobby Caldwell. Evans was the original lead singer for Deep Purple and probably best known for his vocals on their 1968 debut chart-breaker "Hush"; Rheinhardt and Dorman had played in Iron Butterfly. Caldwell had come to prominence playing with Johnny Winter. He was replaced by drummer Martin Rodriguez on the group's second album, after which Evans left the band. Captain Beyond re-formed in 1976, with singer Willy Daffern, and Caldwell back on the drums.

Captain Beyond played hard rock influenced by progressive rock. Although the band achieved little commercial success, the group nevertheless earned a cult following. Reinhardt and Caldwell reformed Captain Beyond in 1998. Since then they have been performing at shows and have released a four track EP. There is of yet no information whether they are going to record a new album.
(Year of Release: 1972)

Track List:
1. Dancing Madly Backwards (On A Sea Of Air)
2. Armworth
3. Myopic Void
4. Mesmerization Eclipse
5. Raging River Of Fear
6. Thousand Days Of Yesterdays (Intro)
7. Frozen Over
8. Thousand Days Of Yesterdays (Time Since Come &...)
9. I Can't Feel Nothin' (Part 1)
10. As The Moon Speaks (To The Waves Of The Sea)
11. Astral Lady
12. As The Moon Speaks (Return)
13. I Can't Feel Nothin' (Part 2)

Download: Captain Beyond - Captain Beyond (38.7MB)

Alice Cooper - Live At The Whisky A-Go-Go 1969


1969 was the year that Alice Cooper released their first album, Pretties For You. It was a strange album for the time, and is still quite strange by today's standards. Amidst gems that really showed what was to come from the group, such as "sing low, sweet cheerio", "fields of regret", and "changing arranging", were strange tidbit ideas of songs clocking in at 2 minutes or less, featuring odd vocal stylings, unexpected and frequent tempo changes and start-stop rhythms. This live album, recorded at the record's release party is a great window into the band's workings at the time. The quality far surpasses that of the much easier to find toronto rock'n'roll revival set from the same time period, and features a much more diverse setlist. Songs like "Levity Ball", "Sing Low, Sweet Cheerio",and "Nobody Likes Me" are performed exceptionally well here, but the bands more experimental tracks ("10 minutes before the worm", "bb on mars") prove very difficult to perform live and the performances of these tracks presented here are not without their share of obvious flaws. This record's most redeeming quality is the guitar playing of a young Glen Buxton. I dont care what anyone else says, this album represents Glen in his prime. His lines are often improvised here, and creatively played. He traces scales in flat-out unconventional ways and weaves in and out of the music with perfect finesse. Later in the band's career Glen's playing would suffer due to health problems and alcoholism, but Live at the Whiskey 1969 shows how truly remarkable of a musician he was, maybe not in his technicality, but in the creative construction and unconventional style of his playing. To sum things up this album is a grisly fusion of shagged out acid rock and nascent heavy metal and stands apart from other Alice Cooper albums in it's uniqueness.

Track List:
1. No Longer Umpire
2. Today Mueller
3. 10 Minutes Before the Worm
4. Levity Ball
5. Nobody Likes Me
6. B.B. On Mars
7. Swing Low, Sweet Cheerio
8. Changing Arranging

Download: Alice Cooper - Live At The Whisky A-Go-Go 1969 (34MB)

Saturday, July 14, 2007

The Dirtbombs - Ultraglide In Black


Take a stack of soul platters from the 1960s and 1970s from the likes of Smokey Robinson & the Miracles, Sly & the Family Stone, Curtis Mayfield, Marvin Gaye, and Stevie Wonder; mix generously with a propulsive mix of two bass guitars, two drummers, and the vocals of a Detroit rock legend; and you have an underrated gem in the Motor City music scene. Ultraglide in Black puts a rock spin on recognizable nuggets of soul and funk while retaining the original version's integrity and message. Most of the tunes covered here are spirited party tracks, including a sparkling version of Gaye's "Got to Give It Up" that features a strident breakdown. Vocalist Mick Collins, of the Gories fame, paints each track with a flavorful delivery which at times will have the listener literally transported to AM radio's yesteryear. The Dirtbombs have created a record that is akin to stumbling across a box of cool records in your parent's attic, and is suitable for continuous play at any house party.

Track List:
1. Chains of Love
2. If You Can Want
3. Underdog
4. Your Love Belongs Under a Rock
5. I'll Wait
6. Livin' for the City
7. Thing
8. Kung Fu
9. Ode to a Black Man
10. Got to Give It Up
11. Livin' for the Weekend
12. I'm Qualified to Satisfy You
13. Do You See My Love (For You Growing)

Download: The Dirtbombs - Ultraglide In Black (71.4MB)

Friday, July 13, 2007

X - Los Angeles


By the late '70s, punk rock and hardcore were infiltrating the Los Angeles music scene. Such bands as Black Flag, the Germs, and, especially, X were the leaders of the pack, prompting an avalanche of copycat bands and eventually signing record contracts themselves. X's debut, Los Angeles, is considered by many to be one of punk's all-time finest recordings, and with good reason. Most punk bands used their musical inability to create their own style, but X actually consisted of some truly gifted musicians, including rockabilly guitarist Billy Zoom, bassist John Doe, and frontwoman Exene Cervenka, who, with Doe, penned poetic lyrics and perfected sweet yet biting vocal harmonies. Los Angeles is prime X, offering such all-time classics as the venomous "Your Phone's Off the Hook, but You're Not," a tale of date rape called "Johnny Hit and Run Paulene," and two of their best anthems (and enduring concert favorites), "Nausea" and the title track. While they were tagged as a punk rock act from the get-go (many felt that this eventually proved a hindrance), X are not easily categorized. Although they utilize elements of punk's frenzy and electricity, they also add country, ballads, and rockabilly to the mix.

Track List:
1. Your Phone's Off The Hook, But You're Not
2. Johnny Hit And Run Paulene
3. Soul Kitchen
4. Nausea
5. Sugarlight
6. Los Angeles
7. Sex And Dying In High Society
8. The Unheard Music
9. The World's A Mess; It's In My Kiss
10. I'm Coming Over (Demo)
11. Adult Books (Demo)
12. Delta 88 (Demo)
13. Cyrano De Berger's Back (Rehearsal)
14. Los Angeles (Dangerhouse Version)

Download: X - Los Angeles (35.69MB)

Sunday, July 08, 2007

Stinky Finger - Def and Dum

UPDATE: This post was re-uploaded 03/23/2014. Enjoy, NØ.
Reupdate: This was re-re-uploaded 06/25/2014. Try it again.


Stinky Finger was the biggest band to come out of the East Tennessee area, which I call home. This was passed on to me from a friend of a friend. After hearing the album I was amazed that this was recorded in 1988. Their sound is original, but if I were forced to draw comparisons, I would describe it as a mix between the Beastie Boys and the Angry Samoans. I didn't have the pleasure of seeing them live, or listening to them when they were around, but fortunately I have a friend who did. This album was uploaded by my friend Brian Van Huss, another local musician from the Tri-Cities scene, and vocalist, song writer, and guitar player for the Luminaries. It was originally posted on his Psyche Zenobia blog. You can also find the link in the sidebar to the right for future reference. The following is an excerpt from his blog:


The Tri-Cities, (Bristol, Johnson City, Kingsport) was never known for it's music scene like Athens, Los Angeles, or Seattle. When I was a high school kid into punk rock and starting my first zines and bands my friends and I felt a bit outnumbered. The Sex Pistols and Ramones never really hit around here so, as far as the locals were concerned, we were the first wave of that. And we took the shit that came with it and kept on going. A first glance at the music scene here didn't reveal much besides cover bands and music store prog rockers but there was something else happening. I'm gonna go ahead and go on record as saying that before two bands there was no real "alternative" music scene here. Those two bands were Stinky Finger and Brian And The Nightmares. We all followed their lead. And if I had to narrow it down even further, we followed Stinky Finger's lead. Not musically but in attitude. They were bigger and more influential in our scene than anyfuckingthing on MTV.

Def And Dum by Stinky Finger was put out on cassette only and recorded in Bristol at Classic Studios in 1988. Copies circulated for years and everyone I know from those days can still sing and rap these songs. Def And Dum has been pretty obscure in recent years and I haven't owned a copy since I don't know when. A friend of mine ripped this from an original cassette and I am uploading it for it's historical value to the music scene of East Tennessee in addition to the fact that it fucking rocks! Stinky Finger were probably best described as a punk/rap band. At the time they were doing it the Beastie Boys were probably the only other comparable band but Stinky may have been even stinkier. Their lyrics were foul and funny at the same time and the band was tight as a preacher's ass. I could go on forever but I'll let it speak for itself. I've had many people ask me for this one so here you go.

- William Van Huss


Track List:
1. Stinky Drinkin'
2. Sodomy
3. Cocaine Whore
4. Def Bird
5. Pollution
6. My Girlfriend
7. Don't Waste My Time
8. We Be Trippin'
9. Fag Basher
10. You're Fat
11. My Penis
12. Fleas

Download: Stinky Finger - Def and Dum (78.7MB) (MEGA decryption code in comments)

Saturday, July 07, 2007

Supergrass - Life On Other Planets


Supergrass makes music so effervescent and so effortlessly joyous that it's easy to take them and their skills for granted. Surely that was the case around the release of their third album, 1999's eponymous effort, which in its labored fun and weary ballads illustrated just how much hard work it was to craft records as brilliant as I Should Coco and In It for the Money. It suggested the group might have burned too bright and flamed out, but, happily, 2002's Life on Other Planets is a smashing return to form, an album giddy with the sheer pleasure of making music. What makes this all the more impressive is that this is the record that Supergrass attempted to be — a perfect balance of the sensibility and humor of I Should Coco with the musicality and casual virtuosity of In It for the Money. Where that album felt labored and a little weary, Life on Other Planets is teeming with life. The tempos are sprightly, the hooks tumble out of the speakers, the band mixes up styles and eras, and they never, ever forget the jokes (Gaz's fleeting Elvis impression on "Seen the Light," an allusion to Spinal Tap's "All the Way Home," or the chorus of "Evening of the Day"). Sure, it's possible to spot the influence all the way through the album — most clearly T. Rex on "Seen the Light" and "Brecon Beacons," where Gaz's warble is uncannily like Marc Bolan's — but it never sounds exactly like their inspirations — it all sounds like Supergrass. And Supergrass hasn't offered such pure, unabashed pop pleasure since their debut; there hasn't been an album that's this much fun in a long time. Since they've been away for a while and have never broken in the States, Supergrass has been curiously overlooked, even though they're better than 99 percent of the power pop and punk-pop bands out there (plus, their everything-old-is-new-again aesthetic can be heard in such albums as the Strokes' Is This It?). But, as this glorious record proves, there are few bands around these days who are as flat-out enjoyable as this trio. The world is a better place for having Supergrass in it.

Track List:
1. Za
2. Rush Hour Soul
3. Seen The Light
4. Brecon Beacons
5. Can't Get Up
6. Evening Of The Day
7. Never Done Nothing Like That Before
8. Funniest Thing
9. Grace
10. La Song
11. Prophet 15
12. Run

Download: Supergrass - Life on Other Planets (55.5MB)

Thursday, July 05, 2007

Iggy & The Stooges - Raw Power


In 1972, the Stooges were near the point of collapse when David Bowie's management team, MainMan, took a chance on the band at Bowie's behest. By this point, guitarist Ron Asheton and bassist Dave Alexander had been edged out of the picture, and James Williamson had signed on as Iggy's new guitar mangler; Asheton rejoined the band shortly before recording commenced on Raw Power, but was forced to play second fiddle to Williamson as bassist. By most accounts, tensions were high during the recording of Raw Power, and the album sounds like the work of a band on its last legs -- though rather than grinding to a halt, Iggy & the Stooges appeared ready to explode like an ammunition dump. From a technical standpoint, Williamson was a more gifted guitar player than Asheton (not that that was ever the point), but his sheets of metallic fuzz were still more basic (and punishing) than what anyone was used to in 1973, while Ron Asheton played his bass like a weapon of revenge, and his brother Scott Asheton remained a powerhouse behind the drums. But the most remarkable change came from the singer; Raw Power revealed Iggy as a howling, smirking, lunatic genius. Whether quietly brooding ("Gimme Danger") or inviting the apocalypse ("Search and Destroy"), Iggy had never sounded quite so focused as he did here, and his lyrics displayed an intensity that was more than a bit disquieting. In many ways, almost all Raw Power has in common with the two Stooges albums that preceded it is its primal sound, but while the Stooges once sounded like the wildest (and weirdest) gang in town, Raw Power found them heavily armed and ready to destroy the world

Track List:
1. Search And Destroy
2. Gimme Danger
3. Your Pretty Face Is Going To Hell
4. Penetration
5. Raw Power
6. I Need Somebody
7. Shake Appeal
8. Death Trip

Download: Iggy & The Stooges - Raw Power (45.7MB)

Wednesday, July 04, 2007

The Luminaries - You're So Cold EP


"The Luminaries traveled to this blue marble oasis in a steam powered spacecraft on a mission to save rock and roll. Unfortunately, their vessel crashed in northeast Tennessee and they were forced to frantically record an album in one day at a studio in Bristol while their ship was being repaired. Psyche Zenobia and Brains Erratica were entrusted to release this gem to the world and these two songs are here to give you the proverbial blue balls of ROCK!"

The Luminaries are William Van Huss, Wayne Brains, and Jack Costello. The record was recorded at Sonic Design studios in Bristol Tennessee in March of 2007. All songs written by William Van Huss and Wayne Brains and copyright Psyche Zenobia/Brains Erratica music.

Track List:
1. You're So Cold
2. Hiding
3. From Outer Space To You
4. Baby Come On
5. Someone Else
6. Psycho Babble

Download: The Luminaries - You're So Cold (23.5MB)

Tuesday, July 03, 2007

Back From Bonnaroo




I just got back from Bonnaroo a couple of days ago. I wish I had the time to write about everything that I experienced there, but unfortunately I don't have enough time for that. As I mentioned in my previous post, it was the first time I had ever been to any type of major concert, so it was an absolutely mind blowing experience for me to start it off by going to one of the largest festivals in North America. There were 80,000 fans who bought tickets, along with 6,000 staff, and close to 10,000 vendors.




I didn't get a chance to see half the bands that I wanted to see. I worked till 6pm each day so I missed out on a lot of great performances during the day, and I had to shower after work, even though I wanted to skip straight to the music, because we were filthier and stinkier than anyone else there, and my stench was revolting even to myself. Regardless of this I still had the time of my life and regret absolutely nothing. I managed to see Tool, which was a major achievement for me. I've been following them since they released their first demo and were virtually unheard of. I got to check out the White Stripes, The Police, and the Black Angels also.




I worked for Clean Vibes, which had the monumental task of cleaning up during and after the festival. Even though the work turned out to be much harder than I ever could have anticipated, it turned out to be one of the most rewarding experiences of my life. Clean Vibes took such great care of the employees and the people that volunteered to help clean up that I felt as if I should have been paying them.




The advantages of working with Clean Vibes, rather than being a regular festival attendee, were numerous. They hired a catering company which prepared three fantastic meals a day. We had 24/7 access to the catering tent which was stocked with ice, water, juices, ice cream, desserts, and various other goodies. I realized how fortunate we were to have such a luxury after I witnessed at least 50 people waiting in line to buy bags of ice for $5 a pop. We were also able to bypass the sea of people which were entering the venue and being searched. Security usually didn't even bother to search us, and if they did they conveniently overlooked the alcohol and weed that we had on us. During the cleanup the two other people I went with and myself groundscored a few cool items, including 4 glass bowls (one which was brand new, packed with weed, with a bag of weed sitting beside it), 3 one hitters, a half ounce of opium, 5 blocks of hash, shoes, clothing, camping equipment, $35 in cash, over $20 in change, an insane amount of beer, and various other items.




We had a few staff parties after the festival was over. I didn't think the official staff party would be very big considering the fact that I couldn't see where everyone was camped out at, and it didn't look like there was many people left. Turns out I was wrong. Rhiannon (my lady friend who accompanied me to the festival) and I could hear the party kicking in Centaroo from over a half of a mile away. They had unlimited free beer, a live band and fireworks. As soon as I arrived at the party and sat down to take everything in I had 4 bowls passed to me. The staff of Clean Vibes also had their own party each night. On the last night of cleanup we all went to a Mexican restaurant to eat. Anna, the owner of the company, paid for all our meals and one margarita for each of us. She also walked around and gave each of us a plastic cup and a shot of 1800, after which we all raised our cups in the air and toasted.




The work was very hard. I've worked at least 20 different jobs, including the military and several factories. Aside from the Army, cleaning up after Bonnaroo was the hardest job I've ever done. The heat was very intense and dry. The temperature hovered around 95 degrees every day were were there. The area was also in a drought and it hadn't rained there for two months, which caused massive amounts of dust to be stirred up by the 80,000 people and vehicles traveling about. I smelled like a dumpster was caked in dirt, sweat, and god only knows what else each and every day. I believe that we ended up cleaning up over 500 tons of trash. During the festival we rode around on 4-wheelers and hauled off the trash and recycling bags that were in the barrels located in the two locations that we were assigned to, and that was by far the easiest phase of the cleanup operation. I was blown away by the amount of trash littered across over 500 acres of farmland the day after the festival. I've read messages mentioning the amount of trash left at the festival on various message boards, and the majority of the people haven't the slightest clue as to to the effort that goes into cleaning up after Bonnaroo.





Clean Vibes has a no trace policy, which for us meant that every tiny little scrap of paper and cigaratte butt had to be picked up. After the festival we first gathered the thousands of bags of trash which were left at the campground and venue areas, and then performed line sweeps of each area as well. The group I worked with had the task of cleaning alongside Bushy Branch road, which was the road leading into the main gate. The majority of the time we were knee deep in a ditch with high grass, bugs, and the intense heat beating down on us. There was trash every few inches and bending down to pick up every can, bottle, cigarette butt, pieces of paper, and everything else you can imagine, took quite the toll on my back. We spent a lot of time crawling around on our hands and knees in the highly littered areas also.



After we finished cleaning Bushy Branch Rd, which took us two full days, they disbanded the groups and formed line sweeping crews. The line sweeps were the worst part of the job. We would line up and walk/crawl through the various campgrounds and fields throughout Bonnaroo. There were a slew of things which made the job even more difficult, including the aforementioned heat, dust, bugs, as well as shit buckets, ripped bags, rotting maggot infested food, condoms, thousands of tent steaks (which we had to dig up), billions of cigarette butts, and co-workers who were unable to walk/crawl in a straight line. Fortunately I had the pleasure of working alongside some of the most unique, intelligent, and highly motivated individuals that I have ever met, and together we were able to overcome all the challenges that we encountered, and had a fantastic time in the process.





My words are still not enough to describe the full experience of cleaning up after Bonnaroo, but hopefully they will give you an idea. Needless to say it was absolutely filthy, even if it was cleaner than the previous years. It also made me realize just how wasteful, lazy, and careless people are with the waste that they produce. I'm not the type of person that usually bitches about anything, but if you're reading this and you happen to be one of those people who throws their cigarette butts on the ground or anything else for that matter... please pick up your shit! I'm a smoker myself, and it doesn't take that much effort to knock the cherry off your cigarette and throw it in a trashcan, ashtray, or even in your pocket. If you attend festivals or concerts pick up a piece of trash on your way out, or even grab a bag and fill it up. If everyone did so it would make things much easier on the people who bust their ass to clean up such events. To those of you who do and make an attempt to recycle.. thank you. You truly are making a difference and helping to make the only home we have a better place to live.






This post is getting rather long, so I'm going to cut it short. The pictures that I used in this post were not taken by me. Whenever I get the pictures that I personally took developed, I'll post them on here also. Please feel free to leave any questions or comments about Bonnaroo that you have here. I'll begin posting albums again shortly....

Sunday, June 10, 2007

Bonnaroo 2007


I'll be leaving in a couple of days to work at the Bonnaroo festival. I'm going to be working for an organization called Clean Vibes, which cleans up all the trash produced, while I'm there. I can't put into words here how excited I am about being able to attend this. I've lived a bit of a sheltered life up until this point, and this will be my first major concert of any type. I'm going to be in complete heaven, as any music lover would be. I'm sure I'll see a lot of great performances while I'm there, and discover a few artists that I'm unfamiliar with. The crowd is expected to be around 100,000 people, which will make it by far the largest crowd of any type that I've ever been around also. I'm sure it will be a surreal experience when I set eyes on that sea of people for the first time. The workers have a monumental task ahead of us. Last year over 550 tons of trash were cleaned up at the festival. I believe I'll be working 12 hour shifts for 14 days straight, and I'm sure I'll be exhausted when the task is finished. I should return home by the 27th of June, and I'll resume posting albums shortly after. In the meantime be sure to check out the other great music blogs which are listed in the sidebar, and here are a few buttons for your convenience if you would like to bookmark this site or subscribe to the feed so you can check back later for updates.


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Edit: Couldn't Leave Without Sharing This With You All
I don't normally share things like this on this blog, but I couldn't resist sharing this with you all before I leave. This should give you all something to enjoy while I'm gone..

http://tv-links.co.uk/

This site might not last long considering the mass blatant copyright infringement and all, so enjoy it while you can. There's more movies than you can shake a stick at on here.. Enjoy!

Tuesday, June 05, 2007

The Swingin' Neckbreakers - Shake Break!

I apologize for the recent delay in updates. I've been doing a lot of working and hiking lately and I had to get some much needed rest. I've decided to kick things back off with a high energy band by the name of the Swingin' Neckbreakers. This was originally posted by Toxxy on the skafunkrastapunk forum (link is in the sidebar).

Shake Break!, the Swingin' Neckbreakers' second lp, was unleashed on an eager public in September of 1995. The album features powerful originals like "Wait" and "The Answer Is No"; "Action Kid" offers a poppier approach to the Neckbreakers' sound. The band continues to choose cover material from diverse sources: garage rock is represented by "That's The Way My Love Is" (The Trolls), among others, while one of the Neckbreakers' most popular live numbers, Glen Barber's "Ice Water," began life as a western swing tune. The trio also pays tribute to Rock 'n' Roll icons Chuck Berry, Little Richard, and Bobby Fuller.
(Year of Release: 1995)

Track List:
01. Wait
02. Mighty Mack
03. Ice Water
04. That's The Way My Love Is
05. Help Wanted
06. Shakedown
07. The Answer Is No
08. I Wanna Be Your Driver
09. Action Kid
10. I'm In Love With Me
11. You're Gonna Make Me
12. A Thousand Times A Day
13. Get Down On Your Knees
14. The Girl Can't Help It
15. Brown-Eyed Girl

Download: Swingin' Neckbreakers - Shake Break! (67.5MB)

Saturday, June 02, 2007

Fu Manchu - Eatin' Dust

I thought that I would post this album since the Man's Ruin label is going out of business, and this album is out of print now.
After releasing Fu Manchu's remake of Blue Oyster Cult's "Godzilla" as a 10-inch vinyl single in 1998, Man's Ruin released their sixth album Eatin' Dust CD in February 1999. Eatin' Dust featured eight tracks: five brand new recordings plus all three cuts from 'Godzilla'. Greatly influenced by the heavy metal of the early '70s, this CD offers a stripped down, garage-like approach to classic metal and steers clear of pop gloss. Fu Manchu was once referred to as "the band for those who miss Kyuss". Though not entirely inaccurate (No One Rides For Free, the band's debut, sounds a bit like Kyuss' debut, Wretch), labelling the band as a Kyuss clone does not do them justice. Fu Manchu do have a 70's stoner groove influence, but their songs are more straightforward and lack the drawn-out psychedelics of the later Kyuss albums. Nonetheless, they are as influential and representative of stoner rock as any band out there. From "Godzilla" to forceful originals like "Eatin' Dust," "Mongoose" and "Module Overload," Eatin' Dust recalls '70s metal with pleasing results.

Track List:
1. Godzilla
2. Module Overload
3. Living Legend
4. Eatin' Dust
5. Shift Kicker
6. Orbiter
7. Mongoose
8. Pigeon Toe

Download: Fu Manchu - Eatin' Dust (31.2MB)

Monday, May 28, 2007

Green Milk From The Planet Orange - City Calls Revolution


Green Milk from the Planet Orange's first album for Beta-Lactam Ring consisted mostly of old songs re-recorded. City Calls Revolution contains only brand new material and features new bassist T (everyone in the band goes by an initial, now). The music still draws loads of inspiration from progressive rock and fusion, but the psychedelic vibe is stronger than ever, as the group moves closer to the experimental tendencies of Acid Mothers Temple. As a result, this album may be more difficult, but also more exciting than their previous one. After two or three minutes of synthesizer doodles, Dead K, A, and T take off for an exhilarating 20-minute ride titled "Concrete City Breakdown." By far the most progressive number here, the piece features strong themes and several surprising variations. The playing is more than inspired, hinting at King Crimson, Miles Davis' electric band, and Ruins. It provides the undisputed highlight and ranks as one of the best tracks the group has recorded yet. "Omgs" adopts a punkier attitude, with a passing nod to the Stick Men (or the New York no wave scene in general). More aggressive, it can become irritating. "Demagog" goes by rather unnoticed after that, but further listens reveal a good average song for this band. The set concludes with the 38-minute epic "A Day in the Planet Orange," a suite that is actually a hodgepodge of ideas. The band bounces around from free-form improv to fast-action prog riffing, telephone conversations, and slow-paced post-rock-ish themes. Form-wise, the piece is not that conclusive (it suffers no comparison to the coherence of "Concrete City Breakdown"), but it sure has a high entertainment value, with a fair balance of exciting and puzzling moments. Green Milk from the Planet Orange is not the Japanese freak-out band you might be expecting (there is a lot of order ruling their chaos), but in the light of this opus, they are edging in that direction.
(Year of Release: 2005)

Track List:
1. Concrete City Breakdown
2. Omgs
3. Demagog
4. A Day In The Planet Orange

Download: Green Milk From The Planet Orange - City Calls Revolution (51.1MB)

Saturday, May 26, 2007

The Fuzztones - Lysergic Emanations


I can't recall where I found this one at. I always like to give credit to the original uploader. Most likely it was RYP from the TWILIGHTZONE! blog. I have several other Fuzztones albums for anyone who's interested.

Up their in the attic with the bats, the cobwebs, the ghost of a creepy when living dead great grandfather, and diaries of your grandmother, do the Fuzztones lurk. At night you can hear them practicing their psychedelic sounds with the swirling organ, crunchy guitars, and thundering drums. If you would quit chattering your teeth hiding underneath that blanket, and actually listen to what you hear, you might recognize a ghoulish derivation of songs you know by the Sonics ("Strychnine" and "Cinderella")the Haunted ("1-2-5") and Sonny Boy Williamson Yardbirds style ("Highway 69"), and some you might guess the band wrote themselves. You'd be so pleased with these true to the core "Children of Nuggets" stylistics, you'd put your coat on and go watch Rudi Protrudi and Deb O'Nair the next time they ooze out their sounds in the graveyard. Dancing with the mummies is a damn good time. Just don't put that album cover on your wall, or your family might think you are weird or something. - dustyhands

Track List:
1. Gotta Get Some
2. Journey to Tyme
3. Ward 81
4. Strychnine
5. Radar Eyes
6. Cinderella
7. Highway 69
8. Just Once
9. She's Wicked
10. As Time's Gone
11. Living Sickness
12. Bad News Travels Fast
13. She's Wicked
14. Epitaph for a Head
15. Cinderella
16. Green Slime

Download: The Fuzztones - Lysergic Emanations(69.6MB)

Labels Added

I've been against the labeling system until now, but I've decided to give it a try in order to make it easier for you all to find what you need on this blog. I've only had a chance to label a few posts so far, but I will go through and label as many as I can in the following days. You can find the list of labels underneath the archive. The reason I was against it in the first place is because I think that it can make a blog look overcrowded if they use too many labels. I'll try to keep my usage to a minimum to keep things orderly here. Let me know what you think...

The Mummies - Tales From The Crypt

I couldn't find out much information about this. This was originally recorded in 1994, but was never released by Crypt Records because the Mummies weren't happy with the sound and thought that it was overproduced. There is also another bootleg entitled 'Fuck the Mummies', which features songs from this as well as recordings from a few live gigs. 'Tales From The Crypt' doesn't have the low-fi sound that you will find in all of the other Mummies recordings, and it is much more bass heavy also. However if you're like me you'll enjoy this album simply for the fact that it is the one and only Mummies. Special thanks to hdvns for helping me find this, and to the Nothing But Trash blog for originally uploading this.
(Year of Release: 1994)

Track List:
1. Mummies
2. Your Ass (My Face)
3. Red Cobra #9
4. Land Of 1000 Dances
5. That Girl (Tribute To Shane White)
6. Victim Of Circumstances
7. She Don't Care
8. Speed Track
9. Wild Mutha
10. F.U.C.K
11. Shut Yer Mouth
12. Hairy Mary

Download: The Mummies - Tales From The Crypt (34.1MB)

Friday, May 25, 2007

What Are Your Favorite Music Blogs?

Edit: I apologize for taking so long, but tomorrow I am going to begin the monumental task of organizing the blogs that you all submitted into a categorized list. It might take a little while for me to finish the project since I will have to visit each individual blog before I can arrange them on the list according to genre(s). I'll post the list as soon as I'm finished and add a link to it in the sidebar.

In the future I plan to make a few posts in between albums periodically to discuss various music related subjects. The goal of this is to learn about new bands/artists, music blogs, communities, and to learn a little more about each other. My favorite blogs are listed below. If I had to choose a favorite out of the bunch it would have to be TWILIGHTZONE!.

I hope that everyone who downloads music from this blog will participate in these discussions. If so we will all be able to discover a lot of great new music. Please leave a comment and list your favorite music blogs, and feel free to list as many as you would like.

My Favorite Blogs:
TWILIGHTZONE!
PunchDrunk
In The Crowd!
Rock Delirious
Nothing But Trash
Carnival of Headache
Born In The Basement
Only In It For The Music
Ape Shall Never Kill Ape
Pathway to Unknown Worlds

Thursday, May 24, 2007

Daisy Chainsaw - Eleventeen

It is hard to believe that during the women's punk revolution of the early '90s, the talented Daisy Chainsaw barely made a blip on the music radar. Taking their cue from proto-punks like the Stooges and modern noise-bringers like Pussy Galore, Daisy Chainsaw had a brutal guitar assault that was grounded by awesome, twisted vocals. From the pounding "I Feel Insane" to the otherworld eeriness of "Use Me Use You," they prove that they are adept to many different styles while still retaining their unique sound. Some tracks, like "Dog With Sharper Teeth," are almost pop with their catchy melodies and up-tempo feel. But it is the mountains of ear-shattering guitar that brings this music its intense power. "Hope Your Dreams Come True" is the perfect example; barely holding molten riffs back from overtaking the fragile vocals, this is like the ugly younger sister to the Stooges' classic "Dirt," building to a brutal ending that bubbles over with raw anger. Never following trends and keeping a scary public image worked against them, keeping them behind their contemporaries in Hole and Babes in Toyland. But time has been very kind to their music, making Daisy Chainsaw a rare treat for any fan of solid, female-fronted alternative rock.

Credit goes to H. who runs the Carnival Of Headache blog. There is a lot of great music to be found there, so be sure to stop by and check it out sometime. The link is also in the sidebar for future reference.
(Year of Release: 1992)

Track List:
1. I Feel Insane
2. You Be My Friend
3. Dog With Sharper Teeth
4. Hope Your Dreams Come True
5. Natural Man
6. Love Your Money
7. Lovely Ugly Brutal World
8. Use Me Use You
9. Future Free
10. Pink Flower
11. Waiting for the Wolves
12. Everything Is Weird

Download: Daisy Chainsaw - Eleventeen (47.4MB)

Supercharger - Goes Way Out


Supercharger's Goes Way Out gained instant access into the trash rock pantheon. From the recorded in a kitchen sound and ringing guitar feedback sequels to the bratty singing and pissed-off lyrics, this album is like a guidebook on playing and recording minimalist punk rock. Starting out with a loud B-movie warning of alien invasion, the album assaults the senses with low-budget riffs and a 1950s rock sound that has a gutbucket level honesty proving this power trio's members are purists at heart. Cynical anger drips off the crudely tuned guitars and the subject matter of tunes like "You Irritate Me," "Buzz Off," "Bailin' Out," and "Get Out of My House" sounds like a domestic argument on COPS. The brilliance of Goes Way Out is its rhythmic intensity. Harnessing the snarl of the overdriven guitar sound, they throttle the songs by driving them with chunky poppy power chords. Opting for a mistakes-be-damned, balls-out approach, the energy level equals the volume on each track and covers many blemishes with raw enthusiasm. When Supercharger locks in on the song "Cindy Lou" with its pumping tempo, they are channeling a primal energy that fuels all great rock & roll performances. The one musical technique that Supercharger possesses on this release is the band is tight. The crisp togetherness easily sells their simplicity as a tough and spirited sound. Like the Ramones and the New York Dolls, they find freedom in their limitations, and Goes Way Out further champions the cause of the anti-musician's musician.
(Year of Release: 1996)

Track List
1. Super X
2. No Sleep
3. Way Out
4. It's Alright
5. Buzz Off
6. You Irritate Me
7. I Took A Ride
8. Bailin' Out
9. Knockout
10. One Way Street
11. Sick To Death
12. Get Out Of My House
13. Sissy Jerk
14. Cindy Lou

Download: Supercharger - Goes Way Out (23.7MB)

Wednesday, May 23, 2007

Flamin' Groovies - Flamingo


This is a reissue by Buddha Records of the original Flamingo album from 1970, along with six bonus tracks from a live-in-the-studio session that appeared in part on the 1976 compilation Still Shakin'. While the Flamin' Groovies' first album, Supersnazz, loaded their high-octane retro rock down with a loving but overly intrusive production, their next long-player, Flamingo, went in exactly the opposite direction; for their second time at bat (and their second major label), the Groovies cranked up their amps and kicked up the tempos, while producer Richard Robinson stripped the band's sound to the bone. If Flamingo has a flaw, it's that the album is just a bit too basic; the recording sounds a bit flat and muddy, and it isn't very flattering to either Tim Lynch's guitar or Danny Mihm's drums (and who fell in love with the panning control while they were mixing?). But if Flamingo sometimes sounds more like a demo than a finished album, it's a demo of a great band firing on all cylinders; with "Gonna Rock Tonite," the album starts out in fifth gear and never stops, with even the less manic tunes (such as the bluesy "Childhood's End") sounding sharp and full of fire, and the many rave-ups raving mighty fine indeed (notable exception: the trippy "She's Falling Apart," which proves these guys didn't understand psychedelia and had no business playing it, which was a considerable virtue in the Bay Area during the late '60s and early '70s). If the engineering sometimes lets them down, Flamingo does a far, far better job of capturing what made the Groovies a great band than their debut and ranks alongside their very finest work.
(Year of Release: 1970)

Track List:
1. Gonna Rock Tonite
2. Comin' After Me
3. Headin' for the Texas Border
4. Sweet Roll Me on Down
5. Keep a Knockin'
6. Second Cousin
7. Childhood's End
8. Jailbait
9. She's Falling Apart
10. Road House
11. My Girl Josephine (*)
12. Around and Around (*)
13. Rockin' Pneumonia and the Boogie Woogie Flu (*)
14. Somethin' Else (*)
15. Rumble (*)
16. Going Out Theme (Version 1)(*)

Download: Flamin' Groovies - Flamingo (98MB)

Saturday, May 19, 2007

The Damned - Machine Gun Etiquette

After releasing their debut album, 'Damned Damned Damned', The Damned rejoined forces without their original guitarist BrianJames, who pursued his own interests from then on (only hooking up with the band again for a late-'80s "farewell" show). The remaining three (Dave Vanian, Rat Scabies, and Captain Sensible) brought in young Saints veteran Algy Ward on bass, recorded an album, and hoped for the best. That best proved much better than expected; while singles ended up on the charts, Etiquette itself was deservedly hailed as another classic from the band. Over time, its reputation has grown to equal the original Damned Damned Damned; while no less strong than that record, the Damned here bring in a wide variety of touches and influences to create a record that most of their contemporaries could never have approached. The group's wicked way around witty punk hadn't ebbed a bit; the opening cut, "Love Song," is a hilarious trashing of romantic clichés (sample lyric: "I'll be the rubbish, you'll be the bin!") that barely lasts two minutes, while "Noise, Noise, Noise" and "Liar" work in the same general vein. These, however, only scratch the surface. "Melody Lee," written by Captain Sensible for a favorite comic character, starts with a lovely piano intro, whereas the celebratory angst of "I Just Can't Be Happy Today" chugs along with garagey élan and keyboards á la the Electric Prunes. Other prime standouts include "Plan 9 Channel 7," a grand epic about James Dean and Vampira with a fantastic Vanian vocal; the merry mayhem of "These Hands" (belonging to a killer circus clown, with appropriate carnival music, of course); and a great rip through the MC5's "Looking at You." The best moment was saved for last, though: "Smash It Up," a two-part number divided between an affecting instrumental tribute to longtime supporter and Captain hero Marc Bolan of T-Rex fame, and a perfect trash-the-rules-and-party pop/punk/R&B scorcher.
(Year of Release: 1979)

Track List:
1. Love Song
2. Machine Gun Etiquette
3. I Just Can't Be Happy Today
4. Melody Lee
5. Anti-Pope
6. These Hands
7. Plan 9 Channel 7
8. Noise, Noise, Noise
9. Looking At You
10. Liar
11. Smash It Up (Part 1)
12. Smash It Up (Part 2)
13. Ballroom Blitz
14. Suicide
15. Rabid (Over You)
16. White Rabbit (Extended Version)

Download: The Damned - Machine Gun Etiquette (71.9MB)

Thursday, May 17, 2007

The Mummies - Death By Unga Bunga!!

You've got to wonder if the apocalypse is imminent, or hell has frozen over, or some other such monstrous tear in the fabric of the universe has occurred -- here in the year 2003, the Mummies, whose legendary loathing of digital technology was second to none, have not only launched an official Internet website, but they've actually consented to their second CD release. Death By Unga Bunga!! pulls together 21 songs from the titans of "budget rock" that previously appeared on hard to find and out of print singles, and thanks to the marvels of digital mastering technology, these recordings sound marginally less screwed-up than they did in their original cheap-jack vinyl pressings (though a few appear to have been pulled straight from the turntable). Serving up high-octane garage rock so gloriously crude that they made Thee Headcoats sound like the Poppy Family, the Mummies bashed harder than anyone on the scene, and their records captured the glorious sound of cheap guitars and cheaper PAs being pushed into the red zone by four beer-drunk lunatics dressed in Ace bandages. Add to this tunes like "Doin' the Kirk," "Food, Sickles & Girls," "I'm Bigger Than You," "(I Should Better Be Lookin' For) Dangerman," and "(You Must Fight to Live) On the Planet of the Apes," and you get one of the most brilliantly stupid (and stupidly brilliant) rock bands to ever walk the Earth. With the original pressings of these 45s long gone and fetching big bucks from collectors, Death By Unga Bunga!! may not be the coolest way to check out this stuff, but it sure is convenient and cost-effective, and stretched out into one big nonstop blast, this disc only confirms the utter rightness of the Mummies' low-tech assault upon the senses. Listen and be amazed. (Year of Release: 2003)

Track List:
1. Introduction To The Mummies
2. In And Out
3. Girl Like You
4. I'm Gonna Kill My Baby Tonight
5. I'm Bigger Than You
6. I Should Better Be Lookin' For Dangerman
7. Die
8. That Girl
9. Test Drive
10. Stronger Than Dirt
11. Food Sickles & Girls
12. Your Love
13. Down Home Girl
14. Doin' The Kirk
15. Babba Diddy Baby
16. That's Mighty Childish
17. Just One More Dance
18. House On The Hill
19. You Must Fight To Live On The Planet Of The Apes
20. One By One
21. Zip A Dee Doo Dah

Download: The Mummies - Death By Unga Bunga!! (58.9MB)

Wednesday, May 16, 2007

Jerry Lee Lewis - Live at the Star Club Hamburg


Words cannot describe -- cannot contain -- the performance captured on Live at the Star Club, Hamburg, an album that contains the very essence of rock & roll. When Jerry Lee Lewis performed the concert that became this album in the spring of 1964, his career was at its lowest point. Following his scandalous marriage to his teenage cousin, he was virtually blacklisted in the U.S., and by 1964 it had been six years since he had a real hit single, he was starting his recording career again with a new label, and, to make matters worse, America had fallen in love with the Beatles and the bands that followed in the British Invasion, leaving him exiled from the charts. Ironically, he wound up in the Beatles' old haunt of the Star Club in Hamburg, Germany, in the spring of 1964, backed by the Nashville Teens, who still had yet to have a hit with "Tobacco Road" (which would scale the charts later that year). Lewis and the Nashville Teens had been touring throughout the group's native England for about a month, capped off by a stint at the Star Club, where the band played for two weeks, but was only joined by Lewis for one night, which was what was captured on this incendiary recording. Who knows why this was a night where everything exploded for Jerry Lee Lewis? It sounds like all of his rage at not being the accepted king of rock & roll surfaced that night, but that probably wasn't a conscious decision on his part -- maybe the stars were aligned right, or perhaps he just was in a particularly nasty mood. Or maybe this is the way he sounded on an average night in 1964.

In any case, Live at the Star Club is extraordinary -- the purest, hardest rock & roll ever committed to record. It starts with the Killer launching into "Mean Woman Blues" at a tempo far faster than the band is prepared for, and he never, ever lets go from that moment forward. He pounds the piano into submission, sings himself hoarse, berates the band ("What'd I Say, Pt. 2" has him yelling at a Nashville Teen to "play that thing right, boy!"), increases the tempo on each song, and joins in with the audience chanting his name. It's a crazed, unhinged performance, with the Nashville Teens running wild to follow his lead, and it's a great testament to the bandmembers that they nearly manage to keep up with him. One of the profound pleasures of this record is hearing the band try to run with Jerry Lee, which is exceeded only by the sheer dementia of his performance; he sounds possessed, hitting the keys so hard it sounds like they'll break, and rocking harder than anybody had before.

Track List:
1. Mean Woman Blues
2. High School Confidential
3. Money (That's What I Want)
4. Matchbox
5. What'd I Say Pt. 1
6. What'd I Say Pt. 2
7. Great Balls of Fire
8. Good Golly Miss Molly
9. Lewis Boogie
10. Your Cheatin' Heart
11. Hound Dog
12. Long Tall Sally
13. Whole Lotta Shakin' Goin' On

Download: Jerry Lee Lewis - Live at the Star Club Hamburg (47.3MB)

Sunday, May 13, 2007

Acid Dreams Testament - 75 Minutes of Psychotic Terror


Here's another great 60's garage and psychedelic rock compilation for you all. Liner notes were not included with this, and once again it's been hard for me to find out much information about this release. Most of the songs on this comp were recorded between 1966-69, with the exception of a track by Macabre, which was recorded in 74'. I'm not sure when this was originally released, or if it was orignally on vinyl, but it was reissued on CD by Head Records around 1987-88. Another comp entitled Acid Dreams Epitaph was also released, but the material on it isn't nearly as good as the music found on this comp. I'll post it for any completists who are interested in grabbing it also though.

Track List:
1. The Balloon Farm - A Question Of Temperature
2. The Music Machine - You'll Love Me Again
3. The Painted Faces - Anxious Color
4. The Velvet Illusions - Velvet Illusions
5. The Unrelated Segments - Cry Cry Cry
6. The Outcasts - I'll Set You Free
7. Murphy & The Mob - Born Loser
8. The Sparkles - No Friend Of Mine
9. The Painted Ship - Frustration
10. Mouse & The Traps - Maid Of Sugar, Maid Of Spice
11. Macabre - Be Forewarned
12. The Calico Wall - I'm A Living Sickness
13. The Velvet Illusions - Acid Head
14. White Lightning - William
15. The Outcasts - 1523 Blair
16. The Zakary Thaks - I Need You
17. The Painted Ship - Little White Lies
18. Swamp Rats - Louie Louie
19. The Unrelated Segments - It's Unfair
20. The Shy Guys - Black Lightening Light
21. The Bourbons - A Dark Corner
22. The Mind's Eye - Help, I'm Lost!
23. The Stereo Shoestring - On The Road South
24. The Zakary Thaks - Can't You Hear Your Daddy's Footsteps
25. The Caretakers Of Deception - Cuttin' Grass
26. The Remaining Few - Painted Air
27. Teddy & His Patches - Suzy Creamcheese
28. Puddin' & Pipe - Hashish

Download: Acid Dreams Testament - 75 Minutes of Psychotic Terror (75.2MB)

Saturday, May 12, 2007

Hello Out There

I'm experimenting with the new blogger system, and working on adding a few features to the blog. Please bear with me as I make a few changes here and there, and let me know if you like this new red/white theme better than the old blue one. btw I'll re-add all the music blogs that I linked to sometime tomorrow. When I updated to the new blogger system I lost all my old links.

I also thought I would take this time to say hello to all of you. If you are a regular visitor to this blog, or even visiting it for the first time, please be sure to leave a comment sometime and let me know how I'm doing. It seems like less people are leaving comments these days, which is very unfortunate. Even a simple 'Thank You' is better than nothing, but I would prefer to hear some feedback about the albums I'm posting, band/album recommendations, blog recommendations, or anything else music related.

Edit: Thank you for the comments everyone. It's much more encouraging to hear from the people that visit this blog rather than to just look at the site statistics. I know we all have an infatuation with music, so I think it's very unfortunate that we don't communicate with each other more about it. In the future I think I'll start a few topics in between albums that will allow a little more interaction, such as finding out about everyone's favorite music blogs, forums, file sharing programs, etc. That way we can communicate a little, as well as learn about a few new places to get music.


Friday, May 11, 2007

The Cramps - Totally Destroy Seattle (Live Bootleg)


I couldn't find out much information about this recording, other than the fact that it was recorded on May 20th, 1982 at Astor Park in Seattle, Washington. There appears to be a lot of Cramps fans that visit here, so I thought you all would enjoy this. Here's the information that was included with this bootleg:


At one time I was a regular dealer at local record conventions. I met this guy at my booth who wanted to trade music. He said he had this album by the Cramps, which was extremely limited, even by bootleg standards. It was locally pressed in Seattle on red vinyl, and the cover was silk-screened directly on the record jacket. At a time when most boot LPs sold for under $10USD, he had paid over $25USD for it.

This record was transferred through Burwen Research Labs TNF and DNR units onto a TDK SA90 in approximately 1985. Burwen Research had developed the first analog pop and click remover (TNF = Transient Noise Filter) on the market, as well as the first analog noise reduction unit (DNR = Dynamic Noise Reduction). Burwen Research were bought out by KLH in the late 1980's, then KLH went out of business. When the name KLH was used again in the audio market some years later, it was a different company and these units were no longer produced. These units worked very well, and were easier to set than today's digital programming.

(Year of Release: 1982)

Track List:
1. Domino
2. Human Fly
3. Sometimes Good Guys Don't Wear White
4. I'm Five Years Ahead Of My Time
5. Primitive
6. Goo Goo Muck
7. Reality (Beautiful Gardens)
8. TV Set
9. Sunglasses After Dark
10. Garbage Man
11. Psychotic Reaction

Download: The Cramps - Totally Destroy Seattle (66.8MB)