Dead Kennedys - Fresh Fruit for Rotting Vegetables

Time to punk out a bit (punkin time & all). There are so many versions of this album, you can never get enough. Being the rotten vegetarian that I am, I need my constant supply of fresh fruit.

Fresh Fruit for Rotting Vegetables is the debut album by Dead Kennedys, released initially on Cherry Red Records in the UK in 1980, eventually through IRS/Faulty Products in the US, & later by the DK's own Alternative Tentacles label.

The photo on the front cover, showing several police cars on fire, was taken during the so-called ‘White Night Riots’ of May 21,1979 that resulted from the light sentence given to former San Francisco City Supervisor Dan White for the murder of Mayor George Moscone & Supervisor Harvey Milk. The copy I own is an early IRS pressings with the cover tinted orange with black lettering. This cover variation was not authorized by the DKs.


It also features the original back cover with a found photograph of an old lounge band called The Sounds Of Sunshine, with the DK's logo pasted onto the drum kit, with skulls & crossbones on their instruments. The original photograph, as found by Biafra at a garage sale, had no identifying remarks on it whatsoever. It was used because the band thought it was ‘hilarious’. Somehow Warner Wilder, the former vocalist of the defunct lounge band learned of the photo & threatened to sue the Dead Kennedys, so the back cover was reprinted with the heads of the band members cut off. This solution was also deemed unsatisfactory to the Sounds of Sunshine, forcing an entirely different photo of four old ladies in a living room with the Alternative Tentacles bat mascot pasted over a picture frame.

On the original vinyl version Side 1 & Side 2 each contained seven songs. This post-IRS, pre-Alternative Tentacles pressing on IRS's Faulty Products subsidiary adds "Police Truck" to the middle of Side 1 between "Let's Lynch the Landlord" & "Drug Me".

Year of Release: 1981
Label: IRS Records SP 70014
Genre: Punk

Tracklist:
Side 1 -
Kill the Poor
Forward to Death
When Ya Get Drafted
Let’s Lynch the Landlord
Police Truck
Drug Me
Your Emotions
Chemical Warfare

Side 2 -
California Uber Alles
I Kill Children
Stealing People’s Mail
Funland at the Beach
Ill in the Head
Holiday in Cambodia
Viva las Vegas

UPDATE: I would like to thank the anonymous commenter who called my attention to a major snafu on this download. Blame it on the late hour or the over-consumption of distilled beverage, but I messed up when splitting the ripped tracks. I would also like to apologize to the more than 150 people who dl'd this selection. The problem is fixed. I have re-upped the entire album as of today (11-23-09) & also provided a download link for just the tracks that were messed up (three tracks). If the anonymous commenter drops me a line at my email address (alwaysmad@Rebels.com) with DK mess-up in the subject line, I will send her or him a free cd (of my choosing).

Download: Dead Kennedys - Fresh Fruit for Rotting Vegetables
Download: Fresh Fruit repair - 3 tracks (12.24MB)
Download Size: 78.8MB (ripped from surprisingly crisp sounding vinyl at 320 Kbps)

Donovan - Like it Is, Was, & Evermore Shall Be

I guess I’ll be disclosing my ancient age, but 1968 was a pivotal year in my life. The U.S. industrial-military complex decided that in order to expand & maintain their imperialist war in Vietnam that it was necessary to institute a Draft Lottery for the inscription of young men into the war machine. My lottery number was 40. I was destined for tropical Southeast Asia unless things in my life drastically changed. Donovan was a big influence on me at that time. Often mentioned together in musickal commentaries of the time, Dylan was the greater poet & probably the better musickian, but songs like “Universal Soldier” & “The War Drags On” put Donovan’s humanity squarely into the minds of a generation, while classics like “Catch the Wind” & "Sunny Goodge Street" touched that deepest spot within our souls where we all desired to reside.

Like it Is, Was, & Evermore Shall Be is a compilation album from Scottish singer-songwriter Donovan (Leitch) released in the U.S. on Hickory Records in April 1968. This was the second Hickory Records compilation using Donovan's 1965 Pye Records material, following the moderately successful The Real Donovan from 1966. By 1968, Donovan had released a string of hit singles & albums in both the U.S. & U.K.

Although most of the songs on Like it Is, Was, & Evermore Shall Be had been released on: What's Bin Did & What's Bin Hid (U.S. title: Catch the Wind); Fairytale; The Universal Soldier ep & the Turquoise single , the new compilation did contain "Why Do You Treat Me Like You Do" & a cover of Bert Jansch's "Do You Hear Me Now?", neither of which had been included on any of Donovan's U.S. lps.

The following are the original releases of each song:

"Why Do You Treat Me Like You Do?" b-side of "Catch the Wind" released March 12, 1965;
"Josie" & "Catch the Wind" from What's Bin Did & What's Bin Hid released May 14, 1965;
"Summer Day Reflection Song", "Colours", "To Try for the Sun", & "Sunny Goodge Street" from Fairytale released October 22, 1965;
"Do You Hear Me Now?", "Universal Soldier", & “The War Drags On” from The Universal Soldier ep released August 15, 1965;
& "Hey Gyp (Dig the Slowness)" b-side of "Turquoise" released October 30, 1965.

Year of Release: 1968
Label: Hickory Records LPS143
Genre: Alt-folk

Tracklist:
Side 1-
Summer Day Reflection Song
Do You Hear Me Now? (Bert Jansch)
Colours
Universal Soldier (Buffy Sainte-Marie)
Josie
Catch the Wind

Side 2-
Why Do You Treat Me Like You Do?
To Try for the Sun
Hey Gyp (Dig the Slowness)
The War Drags On" (Mick Softly)
Sunny Goodge Street

Download: Donovan - Like it Is, Was, & Evermore Shall Be
Download Size: 70.3MB (ripped from 40 yr. old vinyl at 320Kpbs)

Musick Today Brought to You by the Letter C & the Number 4

Just too damn busy this week-end to post up any musick. Doing this all by my lonesome is kinda a challenge, if I get too busy, then the posts stop coming... oh, shite. Try to make up for my foibles by posting up some weight (or if not weight, then at least number). Hope nobody got too impatient & I hope this satisfies.

The Clash - This is Radio Clash 12“ ep

Another foray into the world of dub after the work on Sandinista!, this is one of the Clash’s most memorable outings in this vein. Timely now perhaps with the upcoming release of the film Pirate Radio, the lyrics here find the band likening their mission of spreading their musickal views to that of a pirate radio station bringing music to the masses, "This is Radio Clash on pirate satellite/orbiting your living room, cashing in on the Bill of Rights." Its combination of wordy lyrics & simple melodic content lends itself nicely to the dub style: Joe Strummer spits out the lyrics machine-gun style over a churning musical backdrop that weaves jazzy saxophone riffs, burbling synthesizer lines, & hip-shaking funk guitar into a poly-rhythmic wall of sound. All these elements add up to an exciting record that offers both dance-friendly rhythms & food for thought. Released in the U.S on November 25, 1981, with various different releases, this one has the standard Epic label.

Year of Release: 1981
Label: Epic 49-02662
Genre: Dub

Tracklist:
Please Save Us Side -
This is Radio Clash
Radio Clash

Not the Whales Side -
Outside Broadcast
Radio Five

Download: The Clash - This is Radio Clash 12“ ep
Download Size: 43.4MB (ripped from vinyl at320Kbps)
This file was deleted but has now been re-upped.

Chris & Cosey - Synaesthesia 12“ ep

Chris Carter & Cosey Fanni Tutti formed CHRIS & COSEY out of the ashes of their seminal 70s Industrial band Throbbing Gristle. Throbbing Gristle (& Carter/Tutti) helped start the Industrial music genre. They were some of the first performers to successfully fuse electronic & acoustic instrumentation. Their musical legacy is still very much in evidence today. This ep was the #5 Top40 single in 1991.

Year of Release: 1991
Label: WaxTrax 9153
Genre: Techno

Tracklist:
WaxTrax Side:
Synaesthesia (Daniel Miller Mix)
Synaesthesia (C&C Mix)

Synaesthesia Side:
Synaesthesia (Daniel Miller Instrumental Mix)

Download: Chris & Cosey - Synaesthesia 12“ ep
Download Size: 40.7MB (ripped from vinyl at 320Kbps)

Cathedral Of Tears - self-titled

After TSOL & right before Tender Fury, True Sons vocalist & co-founder Jack Grisham (Jack Greggors in TSOL, here as Jack Loyd) joined up with Mike Patton & some other musickian friends to release the one-off Cathedral of Tears on Enigma.

In Jack’s own words,
“This is one of those mistakes you make that you can’t take back. My dad died, I was going through a lot of shit...I stole the tapes. We had a record...we wrote a bunch of new songs, went in the studio & I stole the tapes. Our record company had said, ‘There's no song here that will get radio play,’ & I was like ‘Bullshit, there is.’ So I stole the tapes from the record company, took it to the radio station, & they were playing our song (“Black Emotion”) while I was driving away. (laughs) & it turned out to be the number four requested song on the station that year. With no record out. & then Enigma finally put it out. They finally put it out, but it was too late. I had already done the damage by the time it came out.“

Cathedral of Tears were: Jack Loyd (Grisham) - vocals; Mark Ford - guitar; Mike Patton - bass; Eddie Sedano - keyboards; & John Guerrero - drums; with additinal help from Mike Borens & Jon St. James - guitars; & Chaz Ramirez - backing vocals.

Year of Release: 1984
Label: Enigma Records E-1045
Genre: Darkwave
Tracklist:
This Side -
Trap
A Situation Of
Calm Storm

The Other Side -
Black Emotion
Ballet
Whisper From The Deadland

Download: Cathedral of Tears - Cathedral of Tears
Download Size: 44.3MB (ripped from vinyl at 320Kbps)

Lloyd Cole & The Commotions - Lost Weekend (extended version) 12“ ep

Although I am not much of a Britpop listener, I do have a bit of Lloyd Cole in my collection. Within a few years of this release, I was listening to Glasgow noise almost exclusively, bands like Dog-Faced Hermans, Dawson, Stretchheads, Whirling Pig Dervish, Badgewearer & more. They were definitely not ‘pop’.

However, Lloyd Cole & the Commotions were a very popular British pop act of the mid 1980s, based in Glasgow, Scotland. They rivaled the Smiths in popularity in the Britpop indie scene. Rattlesnakes, LC&C’s first release, garnered a great deal of attention for the band. So, quickly Polydor beckoned & the band set about recording Easy Pieces. Paul Hardiman, who had produced Rattlesnakes was replaced by Clive Langer & Alan Winstanley, flush from success with Madness. The Commotions were appalled that Hardiman had been sacked, but they felt powerless to do anything about it.

Cole & Co., to a man, disliked Easy Pieces, despite its yielding two top 20 singles & their biggest hit, the Iggy Pop inspired (though Cole insists it ended up sounding like Madness) “Lost Weekend”. Langer & Winstanley wanted Cole to control the vibrato in his voice. Suddenly the singing became more artificial, more self-conscious. Polydor didn’t really care. Their bottom-line was that Easy Pieces sold more in the first two weeks of release than Rattlesnakes had in a year. It contained the bands biggest commercial success, the single "Lost Weekend", which made #17 in the UK charts.

Year of Release: 1985
Label: Polydor COLEX 5
Genre: Britpop

Tracklist:
Side A -
Lost Weekend (Extended Version)

Side B -
Big World
Nevers End
Lost Weekend (7" Version)

Download: Lloyd Cole & the Commotions - Lost Weekend (Extended version) 12“ ep
Download Size: 28MB (ripped from vinyl at 320Kbps)

Bush Tetras - Rituals 12" ep

In New York in the late '70s & early '80s, the Bush Tetras blazed brightly in the sweaty clubs of the Lower East Side, playing music that was a blend of funk rhythms & dissonant guitar riffs.

Lead guitarist Pat Place had been the original guitarist & one of the founding members of the No Wave band The Contortions. With the Bush Tetras, she continued to pursue some of the musical ideas she had explored in that band, themes of driving rhythm & nihilistic trance...hypnotic, tribal, & dirty. Together with vocalist Cynthia Sley they produced the most distinctive aspects of the Tetras sound. Sley’s half-spoken, half-sung vocals, often repeating simple phrases over & over again, creating a hypnotic monotony similar to Place's guitar rhythms.

The Bush Tetras toured with the Clash & struck up a friendship with Topper Headon that lead to his producing this, the Rituals ep on Stiff Records in 1981.

The Bush Tetras on Rituals were: Cynthia Sley - vocals; Pat Place - guitar; Laura Kennedy - bass; & Dee Pop - drums. Recorded July 1981 at Electric Ladyland Studios, “Funky Version” remixed September 1981 at Marcus Music, London, Produced by Topper Headon.

Year of Release: 1981
Label: Stiff Records TEES 12-07
Genre: No Wave Dance

Tracklist:
Rhythm Side -
Can’t Be Funky
Funky Version

Paranoia Side -
Cowboys in Africa
Rituals

Download: Bush Tetras - Rituals 12“ ep
Download Size: 27.64MB (at 320 Kbps)

Assassins of God - Black Tongue Speaks Vol. I

Assassins of God appeared suddenly out of nowhere, released three albums, & disappeared without really ever causing a great stir. They played the first Lolapalooza & toured Europe often.Of their three discs, Black Tongue Speaks, Vol I is without a doubt their masterpiece. It is characterized by a dark atmosphere on songs like “I am My Disease” & “The Hate Song”, also by restless, hysterical guitar & fantastic bass runs. There are walls of sound & noise that go on to develop into the most beautiful melodies & riffs. It is hard to explain their music & I’ve never heard another band like them. They were occasionally classified as “Jazzcore”. Personally I feel they don’t fit into any category.

The members of AOG: Ken Kearney (guitar & vocals); Ellen Schoenwetter (bass); & Bruce Ducheneaux (drums) are part of the incestuous art/musick scene in San Francisco. Ken Kearney appears with the Mutants on Forensic Report. Lately Ken has been playing more straight ahead jazz backing Tracy Sirota & in his own Ken Kearney Quartet. Ken Kearney early on played in the Atones with Mark Weinstein of MX-80 Sound (& Amoeba Records owner).

MX-80 Sound were one of those bands ahead of their time, influencing bands such as Sonic Youth, the Swans & Live Skull among others. MX-80 played rather dissonant, discordant heavy-rock. Their main influences seem to be Captain Beefheart & the Stooges, yet at times they seem more akin to Pere Ubu, Television, early Siouxsie & the Banshees, sometimes even managing to sound not unlike Joy Division.

Mark Weinstein & Bruce Anderson of MX-80 Sound had a ensemble group Pluto that Ken Kearney played in along with Len Paterson & his wife Ellen Schoenwetter. About Pluto’s The Field Recordings, “There is no way to describe the music & lyrics on this LP. All the world loves a good, healthy search for a lost set of keys…” It's not exactly rock'n'roll & it's not exactly jazz. It's more like something Tom Waits might play while relaxing in the bath after a hard day banging brake drums (Pluto also features Ralph Carney [tenor saxophone, clarinet, trumpet] from the Tom Waits band).

Len & Ellen play in the group Flowtilla (formerly The Len Paterson Trio) formed in 2000. Their driving sound is an eclectic mix of funk, afro, jazz & world tinged grooves. They released their first cd under the name Len Paterson Trio entitled Sunny Cloudy. They have released two more c.d.s as Flowtilla, 2003s Out of the Inside & 2006s Clariphonic.

Drummer Bruce Ducheneaux also has an extreme musickal pedigree. He originally joined the band Bomb after they were dropped by Warner/Reprise & after original drummer Tony Flag quit. This gives him an early connection to Ken Kearney, as Jay Crawford of Bomb was recruited for the band Housecoat Project (circa 1986). Ken played guitar for the Housecoat Project on a west coast tour while Jay was on tour with Bomb. Bruce has drummed with Waycross, Cinnamon Girls, & The Primal Abyss as well as being an integral part of several Gary Floyd (of Dicks, Sister Double Happiness infamy) projects, namely The Gary Floyd Band & Black Kali Ma.

Year of Release: 1991
Label: Bonzen Records (Germany) BONZ 007
Genre: Avant-garde punk or Experimental punk

Tracklist:
Logo Side:
Suitcase Nukes
Long Live the Jihad
I am My Disease
Cowbell Rock
The Hate Song
Virus

This Side:
The Vortex
Inuyxl Turbo - 1
Divinstein
Be Diminished
UFO's
Brontosaurus God
Bruce's Blues
(note: The first two songs on logo side run together. I have included both the run-together & split tracks. Take your pick.)

Download: Assassins of God - Black Tongue Speaks Vol. I
Download Size: 106.97MB (ripped from scratchy vinyl at 320Kbps)

John Zewizz/Sleep Chamber - 2012 Free Single

This is taken directly from the incredible Because God Told Me to Do It blog presented by TheeBradMiller. I thought that regulars here at DigitalMeltd0wn who aren’t also BGTMTDI followers might enjoy this, especially any Sleep Chamber fans. (since AllyWonderland previously linked to a We're Late For Class download, I figure Zer0 won't be too mad???)

“Thank you to Inner-X-Musick for supplying this free single. Three different versions of the title track off the upcoming John Zewizz solo release 2012. The release should be available within a month or so. Feel free to post this link EVERYWHERE. Repost this post EVERYWHERE. However you want to do it..."

Year of Release: Not yet released
Label: Inner-X-Musick
Genre: Sleep Chamber

Track Listing:
2012 (Radio Mix)
2012 (Club Mix)
2012 (Soundtrack Mix)

Download: John Zewiss~SLEEPCHAMBER - 2012 free single
Download Size: 49.1MB (in glorious right-from-the-artist’s-mouth 320Kbps)

Yellowman - Nobody Move Nobody Get Hurt

Another change of pace for a somnambulistic hempday humpday in early Autumn...

“King” Yellowman as he is fondly known has an incredible history in Reggae music. He grew up in the Maxfield Home orphanage in Kingston. He was born with albinism. These are huge obstacles anywhere in the world, but especially in Jamaica. He overcame both & went on to become one of the biggest reggae artists since Bob Marley.

Born as Winston Foster in 1959, in Kingston, Jamaica, he was also an alumnus of the Alpha Boy's school where many reggae artists & musicians got their early musical training. He built his early career around the fact that he was an albino. His audiences accepted him for his self-effacing humor & lyrical cleverness. He won the annual Tastee Patties Talent contest held in Jamaica in 1978. Yellowman went on to excite reggae crowds all over Jamaica & the rest of the world. His lyrics are both playfully boastful & filled with strong social commentary.

His first few albums were recorded with the late great producer Henry "Junjo" Lawes. They were released internationally on the UK label, Greensleeves in the early 80's. This album is from that period (1984). King Yellowman was an early proponent of ‘dancehall’ style that took hold of reggae after the death of Bob Marley. In 1986 Yellowman was diagnosed with jaw cancer & given six months to live. He underwent surgery & took an extended leave from the musick industry to recover. By the early 90s he had won his battle against cancer & was ready to return to recording & the world of musick.

Yellowman began his comeback with the song "Blueberry Hill", & his career was re-launched. His first album for RAS came from producer Phillip 'Fatis' Burrell & was called Yellow Like Cheese. Today he is as strong & fit as ever, performing in front of sold-out crowds on tour 4-5 months per year with his long time backing band, the Sagittarius Band. His 1997 release Freedom Of Speech on RAS Records gained Yellowman his first Grammy nomination. Long live the King!

Guess I wasn't the only on channeling Yellowman. As I prepared this post weekend past, over at Psychedelic Dissociative Deliriant they posted up King Yellowman, Zungguzungguguzungguzeng & several others if you're digging the Y'king.

Nobody Move Nobody Get Hurt: Yellowman - vocals; backed by Roots Radics; produced by Henry ‘Junjo’ Lawes; rhythms laid at Channel One; mixed by Sylvan Morris at Harry J.

Year of Release: 1984
Label: Shanachie Records/Greensleeves Records CGR/GREL 71
Genre: Reggae, dancehall

Tracklist:
Side One:
Nobody Move Nobody Get Hurt
Strictly Mi Belly
Bedroom Mazuka
Body Move
Good Loving

Side Two:
Wreck a Pum Pum
Hill & Gully Rider
Yellowman a the Lover Boy
Watch Your Words
Why You so Bad

Download: Yellowman - Nobody Move Nobody Get Hurt
Download Size: 77.7MB (ripped from cheaply pressed vinyl at 320Kbps)

David Bowie - Images 1966-1967

As promised, something to really sink your teeth into...

I thought everything of Bowie's was readily available in various formats. Had I known this ‘Bonus Pak™ 2 Record Set” of David Bowie Images 1966-1967 was out of print, I would have posted it before now. I was a fan of earlier Bowie, probably from Space Oddity (1969) through Low (1977).

I have read various articles stating that Images is for Bowie purists or completists, but I don’t necessarily agree. Although this material precedes Space Oddity by several years & is acoustic, a capella, & highly theatrical in a less Ziggy/Thin White Duke, more traditional vein, there are songs on this album that are superb. Phenomenal Bowie tunes abound: “Love You Till Tuesday”; “When I Live a Dream”; “London Boys”; but there are other gems not so commonly known: “Gospel According to Tony Day”; “We Are Hungry Men”; “She’s Got My Medals” “In the Heat of the Morning”; all are right up there with Bowie’s best.

This was released on cd in Australia under the title Rock Reflections & is no longer in print. Copies of this go for $40 - $200 or more used on the interweb.

If you aren’t familiar with these tunes, give it a go. It’s well worth the download time & hard-drive space. Essential Bowie.

Year of Release: 1973
Label: London BP 628/9
Genre: Acoustic rock

Tracklist:
BP 628
Side One
Rubber Band
Maid of Bond Street
Sell Me a Coat
Love You Till Tuesday
There is a Happy Land

Side Two
The Laughing Gnome
Gospel According to Tony Day
Did You Ever Have a Dream
Uncle Arthur
We Are Hungry Men
When I Live My Dream

BP 629
Side Three
Join the Gang
Little Bombadier
Come & Buy My Toys
Silly Boy Blue
She’s Got My Medals

Side Four
Please Mr. Gravedigger
London Boys
Karma Man
Let Me Sleep Beside You
In the Heat of the Morning

Download: David Bowie - Images 1966-1967
Download Size: 135.246MB (ripped from much loved vinyl at 320Kbps)

Three for Thursday

Just three short ones today. I’ve been busy as hell as of late, but I know Brother Z is in transition, as they say, so I’ll try my best to carry on with some tasty musick. A change of pace from the last post. Will come up with something a bit beefier this weekend. Here are: a 12“ single; a so-called 12“ ep; & a real 12“ ep.

Cabaret Voltaire - James Brown b/w Bad Self(Part One) 12“ single

Cabaret Voltaire began in 1973 in Sheffield, England. They worked mostly with noise manipulation & processing. They were included with bands such as Throbbing Gristle at the time. Originally a three-piece with Richard H. Kirk (guitar & synthesizer), Stephen Mallinder (vocals & bass), & Christopher Watkins (keyboards & sampler). By 1984 when this single was released, Christopher Watkins had left the band to form The Hafler Trio with Andrew M. McKenzie & Cabaret Voltaire was moving toward a more commercial, rhythm-conscious dance oriented sound. The remixes of tracks from CV’s Micro-Phonies on this single are highly recommended.

On this recording, Cabaret Voltaire was: Richard H. Kirk & Stephen Mallinder along with Roger Quail (drums); Mark Tattersall (percussion); & Eric Random (tablas).

Year of Release: 1984
Label: Some Bizarre/Virgin CVS 4 12
Genre: Electro-dance

Tracklist:

Side 1 - James Brown [ We Toil to the Boil in run-out ]
Side 2 - Bad Self (Part One)[ What’s on Your Minds? in run-out ]

Download: Cabaret Voltaire - James Brown 12“ single
Download Size:33.159MB (ripped from vinyl at 320Kbps)

Machinations - Pressure Sway 12“ ep???

Next up is Sydney, Australia band Machinations. Although this is listed as a 12“ ep with three songs, I’ll be damned if this record has three songs. Side Two is listed as containing “Pressure Sway (Instrumental Version)” & “Push Bike”, but there is no bike, push or otherwise. So I guess this is really a 12“ single as well. Oh, well. Machinations was very popular in Australia in the indie-rock scene of the mid-80s. They also began as a three-piece with Fred Loneragan (vocals), Tim Doyle (guitar), & Tony Starr (keyboards & drum machine). They were then joined by Nick ‘Nero’ Swan on bass. After a charting single & a self-titled ep, the band signed with prestigious Mushroom Record's White Label. In 1983 the band again charted both in Australia (#21) & the U.S. (#40) with the song “Pressure Sway”. Fame was not due to follow, however, & they never really became a household name.

Year of Release: 1983
Label: A&M Records SP-12077
Genre: Electro-pop

Tracklist:

Side One: Pressure Sway (Extended Club Version)
Side Two: Pressure Sway (Instrumental Version)

Download: Machinations - Pressure Sway 12inch ep
Download Size:25.5MB (ripped from vinyl at 320Kbps)

Wreck - self-titled 12“ ep

Last is Chicago noise-rock band Wreck. A truly under-appreciated & overlooked band. Started by Dean Schlabowske (guitar & vocals), Keith Brammer (bass), & Bart Flores (drums). Dean later was in the Waco brothers, while Keith left after the first ep (for Die Kreuzen & Boy Dirt Car) & was replaced by Kurt Moore. The band recorded for WaxTrax! on their Play it Again Sam label, releasing two eps, a single, & one full length lp. Wreck was an oddity on Waxtrax!, who featured mostly industrial dance musick. Wreck seemed to have more in common with AmRep bands. Their sound was in a similar vein as Big Black. In fact legendary madman Steve Albini was at the production helm of all their releases.

Year of Release: 1989
Label: Play it Again Sam BIUS 3033
Genre: Noise-rock

Tracklist:

Side A
Song X
Cut Ups
Side B
Lac du Flambeau
We Know Everything

Download: Wreck - Self-titled 12“ ep
Download: 23.27MB (ripped from vinyl at 320Kbps)